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Herman’s Work

Josef Herman’s work often depicted workers as its subject and often documenting a way of life that is no longer with us.

Image: Herman (nd) Two men wearing caps facing forward (JHAFC collection)

Herman (nd.) Sketch of the bus stop (Tate)

Herman’s work chronicles a lost way of life which has shaped a sense of local distinctiveness whether he worked in Wales or the rest of the UK and in Europe. Between 2004 and 2007 Josef Herman’s widow, Nini Herman gifted the Foundation of 194 original artworks. This gift comprises mainly ink drawings and lithographs, and included mostly later work. Since 2007, the Foundation has been gifted more work, including paintings from New Zealand and Israel.

Herman (1947) ‘View from the Bridge, Ystradgynlais’ (Notes from a Welsh Diary) (TATE)

Herman studied working people as the subjects of his art, including grape pickers, fishermen and, most notably, coal miners. His work depicts miners, foundry workers, fishermen and agricultural workers and illustrates a way of life for working people that no longer exists. It also serves as a useful reference, especially for young people living in the Upper Swansea valley that depicts a landscape that has substantially changed.

Herman (1946) Sketch of three miners waiting for lift TATE

While working with the Tate in 2013-15, we were able to explore their extensive Josef Herman archive and at the end of the project, the Tate gifted the Foundation with 20 reproductions of Herman’s work depicted drawings undertaken in Ystradgynlais. This fills a gap in our collection and features mostly miners and local street scenes of the 1940’s and 1950’s.

Josef Herman, Sketches of Wales | Animating the Archives 2015

This video explores the unique relationship between the Polish artist Josef Herman and the town of Ystradgynlais, South Wales in the 1940s and 50s.